The Metal Monster A Merritt 9781534913790 Books
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The Metal Monster A Merritt 9781534913790 Books
This is an interesting and, at times, enthralling piece of weird adventure fiction. I almost called it a pulp, because it has a lot of the hallmarks of a pulp adventure, but its writing is really in a class beyond. Lovecraft thought this was a classic (if that means anything to you). Certainly, the titular Metal Monster is a truly complex and alien antagonist/plot device. Is it good or evil? Do such labels even make sense to something so different? Is it truly alive, or something else? The contours of these questions may harken the reader back to Arthur Machen's description of true evil in "The White People" and Ambrose Bierce's ponderings on what counts as life and intelligence in "Moxon's Master."The main characters and their interactions are OK, but nothing to write home about. Protagonist Goodwin is more grounded and believable than in "The Moon Pool" and I actually found the romantic arc between Drake and Ruth Ventnor well crafted. The time lost Persian army, however, struck me as goofy and incongruous.
My biggest complaint about the novel, however, is Merritt's alternately infuriating and awe-inspiring tendency to describe a scene to death. The man had an amazingly deep vocabulary such that he could describe the same phenomena for five pages without repeating a single adjective. It's like nothing I've ever seen before, and really quite uncanny. At times, his descriptions reach the heights of poetry (my favorite: "It was as though I were the shining shadow of a star afloat upon the breast of some still and hidden woodland pool; as though I were a little wind dancing among the mountain tops; a mist whirling down a quiet glen; a shimmering lance of the aurora pulsing in the high solitudes."), but it's really a bit too much. The book is actually not very long, but this peculiar habit of the author makes it seem interminable in parts.
Overall though, its worth a read, and since its in the public domain, the price is right.
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The Metal Monster A Merritt 9781534913790 Books Reviews
This is another one of those novels that you have to read with an eye toward the era in which it was written - this is Platinum Age science fiction, the kind that rode in on the tails of Wells, Verne, Burroughs, and the like. The prose construction is more descriptiive and less character-driven than modern writing.
Considering this was nearly a Victorian-era novel, some of the concepts in it are surprisingly progressive and innovative. The descriptions of the Metal Monster and the inner world it inhabits are very intriguing, as is the implied relationship between Norhala and Ruth.
The writing is good, and I'm a fan of Merritt - he always reminds me of Wilkie Collins for some reason - but the book is definitely dated and a bit slow in places. Still, it is a decent read if you like this pioneering era of science fiction. I would say it is on a par with the previous Dr. Goodwin book, The Moon Pool.
I read the Moon Pool and liked it so I decided to read the Metal Monster. It was a rework of the previous book with a lost valley that was filled with 1000 year old people and geometric aliens. It was boring. I was dying under the weight of his descriptions of the so called Metal Monster. The end inexplicably trite with the metal monster self destructing from so internal conflict.
It's a good book, though I like his others better.It's well written, and has a good love interest, but not as interesting to me as his Moon Pool.
I like science fiction.
The Metal Monster
Old-school science fiction from one of the early masters of the genre. This novel might be seen as a sequel to Merritt's book "The Moon Pool", as the narrator of the story there is having another adventure in "Metal Monster". The story in both is a combination supernatural horror story mixed with lost civilizations. The story line is written in a straightforward style, with the main thrust being on the storytelling over fancy style or characterization -- This is the reason for only giving the novel three stars rather than more, as this a writing style of the 1930s -1940s, and a modern reader might find that style "old hat". However, Merritt has stuck in this novel a lot of imagination and icon sci fi themes. And so, if his writing style doesn't bother the reader, they are in for a fast thrill ride. Enjoy.
This is an interesting and, at times, enthralling piece of weird adventure fiction. I almost called it a pulp, because it has a lot of the hallmarks of a pulp adventure, but its writing is really in a class beyond. Lovecraft thought this was a classic (if that means anything to you). Certainly, the titular Metal Monster is a truly complex and alien antagonist/plot device. Is it good or evil? Do such labels even make sense to something so different? Is it truly alive, or something else? The contours of these questions may harken the reader back to Arthur Machen's description of true evil in "The White People" and Ambrose Bierce's ponderings on what counts as life and intelligence in "Moxon's Master."
The main characters and their interactions are OK, but nothing to write home about. Protagonist Goodwin is more grounded and believable than in "The Moon Pool" and I actually found the romantic arc between Drake and Ruth Ventnor well crafted. The time lost Persian army, however, struck me as goofy and incongruous.
My biggest complaint about the novel, however, is Merritt's alternately infuriating and awe-inspiring tendency to describe a scene to death. The man had an amazingly deep vocabulary such that he could describe the same phenomena for five pages without repeating a single adjective. It's like nothing I've ever seen before, and really quite uncanny. At times, his descriptions reach the heights of poetry (my favorite "It was as though I were the shining shadow of a star afloat upon the breast of some still and hidden woodland pool; as though I were a little wind dancing among the mountain tops; a mist whirling down a quiet glen; a shimmering lance of the aurora pulsing in the high solitudes."), but it's really a bit too much. The book is actually not very long, but this peculiar habit of the author makes it seem interminable in parts.
Overall though, its worth a read, and since its in the public domain, the price is right.
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